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Sacred geometry inherent in the universe is the primary source of inspiration for my works as a painter. This inspiration is coupled with the philosophy originating from my personal experiences of my native culture and the mysterious ways in which Nature functions. Thus I am drawn to abstraction forming a fundamental part of my pictorial practice and search for the genesis of the cosmos.
In Indian tradition source of energy is metaphorically referred to as a goddess. i.e. female form of genesis. I adhere to this source of energy as my prime idea of representation in my paintings, in an abstract manner portraying the yoni - female organ for reproduction. In order to convey my idea of this energy, I use an impasto technique of applying the pigment that not only enhances the color but the reverence created as the visual effect. However, the three-dimensional effect enlivens through the study of the ancient Ellora caves of India.
The simplified forms in my works bear significance, as I believe basic geometry to be very influential to create impacting subject. Lyrical forms tend to distract the direct perception and hence I avoid decorative elements in my compositions.
ABOUT ARTIST
Sandesh Khule is an award-winning painter and sculptor based in Maharashtra whose works have been exhibited nationally. His primary source of inspiration is the sacred geometry inherent in the universe. Khule describes his compositions as being imbued with "spiritual dimensions", and are an expression of his search for infinity, enlightenment, and awakening to the true nature of beauty. He creates using acrylics and oils on canvas. He is one of the forerunners from the younger generation of the abstractionists' genre of Maharashtra who works with pictorial abstraction allied with regional and historical undercurrents. His works display an unusually eclectic mix of organic abstraction and geometrical optical pattern-making resulting in a vibrant ambiance of ethnic hues. His works trigger an expectation for awe-inspiring visuals in near future.